Neela Mami's Chamber Concert (pretty old blogpost of mine)

Though this is 4+ years old, I am publishing it as it was among the many drafts which I never published :(

Vidushi Neela Ramagopal - vocal
Vid Mysore K Srikanth - violin
Vid Nanjil Arul - mridhangam

08 Nov 09, 4pm, Essae Music foundation (chamber concert)

1. vanajaksha ninne namidi (varnam) - behag - adi 2 kalai
2. mahA ganapathim - naatai - chatusra ekam - muthuswami dikshitar (s @ maha ganapathim)
3. sadA sAranga nayanE - ranjani - adi - H.Yoganarasimham (R)
4. sri sankara guruvaram - nagaswaravali - rupakam - mahA vaidhyanAtha Iyer (R, S @ sri sankara)
5. inta parAmukham Edu - puri kalyani - adi - Shankardas Swamigal (N & S at nI oru silayO en murai kEttilayO)
6. ramA niyeda - kharaharapriya - adi 2 kalai - thyagaraja (R,N & S at tana saukhyamu tAnErugaka yorukalu tanu bOdhana sukhamA, tani avarthanam)
7. manda matiyu nAnu madana janakanu ninu - Durga - kanda chapu - purandara dasa
8. RTP - behag - kanda jati triputa (2 kalai)

pallavi - muruGa unai nAn maravA varam aruLvAi tirumAl marugA vEl
rAgamAlika swaras in bAgesri and sindhu bhairavi

9a. ninnantha swami enaguntu ninagilla - ugabhOga - kApi
9b. parAku mAdadE - kapi - adi - purandara dasa
10. Erumayil Eri - hamsanandi - adi tisra nadai
11. pavamana - sowrastram - adi - thyagarajA

Another awsome concert by vidhushi Smt Neela Ramgopal mami. Started with rare Behag varnam, sung beautifully. It was a wonderful start. This was followed by traditional invocation to Lord Ganesha in Nattai. Loved the Ranjani alapanai. A rare composition in purvi kalyani, and neraval was very emotive and was choosen quite aptly. Kharaharapriya was the main piece of the day; mami sang some nice sangathis around nishadam. She did graha bedam into chenchuruti, went back to kharaharapriya, and got back again to chenchuruti!! Srikanth played some exceptional phrases during his turn, and keerthana was well rendered. Nanjil Arul played very good, and supported excellently throughout concert. His strokes were gentle and nadham was good. Thani avarthanam was well appreciated. After a rare composition of purandara dasa in Durga , mami took up behag in detail, followed by detailed thanam with mridhangam. Pallavi was rendered very well, had trikalam, and also sang pallavi in kanda nadai - two kalams. Ragamalika swaras were in bagesri and sindhu bhairavi, and in last avarthana she combined the ragas in reverse order and came back to behag. Then came a wonderful ugabhoga/virutham in kapi followed by purandara dasa song. She concluded with thirupugazh and mangalam.

Comments

cortex media marketing said…
Cortex Media Marketing, a trusted seo company in Chennai, provides customized SEO solutions to enhance your brand's visibility. Their expert team ensures you stand out in competitive online markets.
September 15, 2024 at 8:32 AM
Post a Comment

Popular posts from this blog

Obsessive Compulsive Asaveri Listening Disorder ?

I seem to suffering from OCALD (My sister who is a doctor and practicing psychiatrist while discussing her cases talks about OCD wherein people continue to do the same thing again and again.) In my case I have been hooked on to listening to Ragam Asaveri since last week. Developed a liking for this Ragam after listening maestro Veena Balchander's Dikshithar Kirtanam "Chandram Bhaja Manasa". Balchander, supported by a couple of his disciples, has rendered this song both vocally and on the veena. I have a vintage recording of M.S. Subbalakshmi singing this song self accompanied on the Veena (at Kalki Gardnes). I also seached Sangitapriya and found renditions of this song by Brindamma , DK Pattammal and Sowmya. Some more on the details on Asaveri. It is a janyam of HanumatThodi .In its Arohanam, Ga and Ni are omitted. In Avarohanam, all the seven swaras are included. Hence, its Jati is Audava-Sampoorna. It is an early morning raga which is very pleasant to hear. It is an ...
Read more

Degradation of poeple's tastes in film music ?

I had been to Chennai (Madras) over the weekend. I have been trying to procure the CD of a movie titled Sringaram - The Dance of Love ( As the name indicates, the movie is based on the Bharatnatyam system of dance) since a while . The music for this movie has been composed by Violin virtuoso Shri Lalgudi G Jayaraman . It is his first attempt at composing music for films and I read that he won the National Award for Best composer for this movie. That strengthened my resolve to get a copy of this CD. My first bet was Landmark, a wonderful book shop chain which also stocks CDs (picked up a few books on music - The Spiritual Heritage of St. Thyagaraja , The Madras Quartet by Indira Menon and Great masters of Hindustani Music by Mohan Nadkarni - a music critic for Times of India for many decades.). The registry at their help desk indicated that they were not aware that a movie of this name existed. I then decided to try my luck at music shops in T Nagar , the cultural hub of Chenn...
Read more

My tribute to Kanekar Uncle ( Pandit Narendra Kanekar)

My aunt called up today morning to say that Kanekar uncle (thats how I addressed Pt. Narendra Kanekar, doyen of Jaipur and Agra gharana) passed away today at Bombay. Having know him and aunty Kanekar very well for 15 years, it came as a shock to me. My aunt, Dr. Bhanu Raman who was Panditji's disciple for almost 12 years is devastated at the loss of her guru. Pt. Narendra Kanekar specialized in Gwalior, Agra and Jaipur, three principal Gharanas of Hindustani vocal music. He received his initial grooming in music from Pt. Manohar Barwe of Gwalior Gharana. He later became a disciple of Pt. Dattatraya Vishnu Kane (Kane Bua of Ichchalkaranji) of Agra Gharana. Kanebua was a prime disciple of Ustad Vilayat Hussain Khan Saheb. Pt. Ratnakar Pai of Jaipur Gharana was his Guru after he moved to Bombay. He was an A grade artiste on AIR and TV. He was blessed with a sweet yet powerful voice . Due to years of rigorous training, his depth and understanding of Hindustani classical music was l...
Read more